This painting, by the French artist Frédéric-Henri Schopin (1804-1880), depicts the destruction of the Roman city of Pompeii during the volcanic eruption of Vesuvius in the year 79. A remarkable account of the devastating natural disaster was written by the eyewitness, Pliny the Younger (c. 61/62-113), whose uncle Pliny the Elder (c. 23-79) died while leading rescue missions to save survivors of the initial stages of the eruption. The Roman historian Tacitus (c. 56-117+) was a friend of their family, and he asked Pliny the Younger to write him a description of what happened during the volcanic eruption. Pliny accomplished this task by sending two separate letters to the historian, and he thankfully retained copies of the reports for himself. These communications serve as the most important eyewitness accounts of the Vesuvius eruption.
According to Pliny the Younger’s own recollections, he was seventeen years old when the Vesuvius volcano exploded. The two Plinys—Older and Younger—and their close family were staying at the nearby naval base of Misenum (modern-day Capo Miseno) at the time. In the days prior to the eruption, there had been mild earth tremors, enough to be noticeable, but not so violent as to cause alarm. Yet, worry eventually began to build on an early afternoon when a strange plume of smoke began billowing out of Vesuvius, reaching great heights in the sky. Pliny wrote, “Sometimes it looked white, sometimes blotched and dirty, according to the amount of soil and ashes it carried with it” (Pliny the Younger, Letters, 6.16). Young Pliny’s influential uncle, who commanded the local fleet, quickly realized that the darkening skies boded trouble, and he rushed to mobilize the ships under his command and embark on rescue missions to help people in the endangered cities. It was a mission from which Pliny the Elder would not return.
Back in safer Misenum, the younger Pliny and his mother were going through their own scary experiences. As the eruption worsened, an earthquake shook the region. Pliny the Younger wrote, “The buildings round us were already tottering, and the open space we were in was too small for us not to be in real and imminent danger if the house collapsed” (Letters, 6.20). By then, debris and smoke in the air started darkening the sky, which made the view of the volcano all the more foreboding. Pliny the Younger wrote, “Meanwhile on Mount Vesuvius broad sheets of fire and leaping flames blazed at several points, their bright glare emphasized by the darkness of night” (Letters, 6.16). From his survivable vantage point, teenage Pliny witnessed the volcano’s ash start raining down around him, covering the landscape. Writing on behalf of himself and his mother, he stated, “We were terrified to see everything changed, buried deep in ashes like snowdrifts” (Letters, 6.20). Yet, despite these memorable darkening skies, lava, fires and falling ash, something else left more of an impression on young Pliny. This was the pyroclastic flow and the waves of gas and ash that seemed to roll over the land and sea. Pliny the Younger wrote, “Soon afterwards the cloud sank down to earth and covered the sea; it had already blotted out Capri and hidden the promontory of Misenum from sight…I looked round: a dense black cloud was coming up behind us, spreading over the earth like a flood” (Letters, 6.20). This tsunami of ash buried cities, such as Pompeii and Herculaneum, killing thousands of people who had not yet fled the region.
It is this scene of the carnage at Pompeii that Frédéric-Henri Schopin strove to re-create in his painting. The painting focuses on the doomed masses, featuring them in the forefront of the artwork, with the hellish fire-covered cityscape serving as a distant background. In the end, the city was fated to be buried in ash. Like Pliny the Elder, the people in the artwork would not have survived the violent eruption. The body of Pliny the Elder was reportedly recovered two days after the eruption. This was lucky, as the remains of thousands of other victims of the volcano were entombed deep under the newly deposited ash and pumice.
Written by C. Keith Hansley
Sources:
- The Letters of Pliny the Younger, translated by Betty Radice. New York: Penguin Classics, 1963, 1969.
- https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Tacitus/Histories/1A*.html
- http://www.perseus.tufts.edu/hopper/text?doc=Plin.+Ep.+6.16
- https://www.parismuseescollections.paris.fr/fr/petit-palais/oeuvres/les-derniers-jours-de-pompei#infos-principales
